Book Review: The Heir of Venus by Laura Shepperson

Rating: 3.75⭐️

“ ‘He led us out of the burning city of Troy and guided us across the ocean to this fertile land. He had cared for us almost as well as he has cared for his own son.’ ”

‘He’s going to found the new Troy, and be the father of many generations of our children. We owe everything to him. Without Father Aeneas, the Greeks would have destroyed everything that is Trojan.’ ”

Set in years after the Trojan War, The Heir of Venus by Laura Shepperson is a feminist reimagining of the story of Aeneas, the son of the Trojan prince Anchises and Venus (Roman equivalent to the Greek goddess Aphrodite), a demigod who escaped the fallen city with his infant son Ascanius, his aging father and several other survivors.

The narrative is non-linear and is presented in alternating perspectives of the women whose lives and fates were intertwined with Aeneas’s; his wife Creusa who was left behind in the burning city and who was the daughter of Trojan King Priam and Hekuba; and Lavinia, princess of Laurentum where Aeneas and the Trojans set up camp and whom Aeneas is to marry; and from Anna, a mysterious traveler, who tells the story of Queen Dido of Tyre, who founded Carthage and for whose tragic fate Anna hold the Trojan prince responsible and strangely enough, whose story Aeneas has neglected to share while he talked of his travels.

Lavinia’s perspective describes how her life and destiny and that of Laurentum change after Aeneas’s arrival. I was immersed as the narrative follows Lavinia’s thoughts and emotions as the events in Laurentum unfold - Aeneas’s agreement with her father King Latinus, his friction with Prince Turnus of Rutuli, Lavinia’s childhood friend who had hoped to marry her and the war that ensued. I was sympathetic to her situation and her pain and disillusionment are palpable as she is forced to accept that despite her being her father’s only child and having participated with her father in his role as ruler, her father’s plans for her to support her ambitions. I applauded her efforts to accept her father’s decisions but on her own terms.

The prose is beautiful and as a fan of Greek mythology (and retellings), I found this book to be an enjoyable read. The narrative is consistently paced and flows well. The structure of the novel works well to tell the story and allow us to see Aeneas as a person, with his strengths and flaws, as perceived by the women who knew him best. I liked that each chapter began with a quote from the source material. I appreciate that the author has given a voice to these women whose stories are often relegated to the background in the interest of glorifying the heroes of the Greek myths. Dido, Creusa and Lavinia not only present facets of the Greek hero revered for his origins and the prophecy that guided his actions, but they are women who deserve to have their stories told and the author has done a commendable job in this regard.

However, I thought that too much of the narrative was presented through telling rather than showing. I would have preferred that Aeneas’s adventures post the Trojan War before his arrival at Laurentum had been described in more detail. However, the telling of past events will provide those not conversant with the key players and crucial details of the Trojan War with a well-rounded, albeit brief, background to Aeneas’s story.

I paired my reading with the audiobook expertly narrated by Frances Butt, who has done a brilliant job of voicing these characters and breathing life into this story. The audio narration certainly elevated my overall experience.

Many thanks to Alcove Press for the digital review copy and Dreamscape Media for the ALC via NetGalley. All opinions expressed in this review are my own.