Book Review: The Lion Women of Tehran by Marjan Kamali
Rating:4.5⭐
The Lion Women of Tehran by Marjan Kamali was one of my most anticipated reads of 2024 and I'm glad to say that I was not disappointed.
“Shir zan. Lionesses. Us. Can’t you just see it, Ellie? Someday, you and me—we’ll do great things. We’ll live life for ourselves. And we will help others. We are cubs now, maybe. But we will grow to be lionesses. Strong women who make things happen.”
Written in beautiful prose, this evocative story spans the 1950s through the 70s and 80s to the present day and follows Elaheh “Ellie” Soltani and Homa Roozbeh – girls from completely different backgrounds who meet in Tehran as seven-year-olds who become fast friends but drift apart - a cycle that continues as their lives intersect time and time again and their fates intertwine against the volatile backdrop of the Iranian Revolution and the decades that follow. The author addresses several important themes, including social class, feminism, women’s rights and political activism, and the immigrant experience, while also giving us a glimpse into Iranian life and culture. The story is set in Tehran for most of the 50s and 60s and both the United States and Tehran for the remainder of the novel.
The narrative is presented predominantly from Ellie’s perspective, though we do get a few segments from Homa’s perspective. Both main characters are well fleshed out and their dynamic as it evolves over decades is realistically depicted, but I wish we could have explored a few of the crucial secondary characters in more depth. I also wish Homa’s perspective had been in more detail and that her story had been told with less telling and more showing particularly toward the end of the novel.
The themes in Marjan Kamali’s latest novel are realistic, relatable and most importantly, timely and relevant. The author’s portrayal of the changing socio-political landscape of Iran during the Iranian revolution and its aftermath with emphasis on women’s rights will inspire reflection. We can’t help but ponder over the fact that many of us have been afforded freedoms that others do not enjoy - freedoms that we often take for granted and rights that women all over the world have fought for in their own time and continue to do so today.
“That’s how losses of rights build. They start small. And then soon, the rights are stripped in droves.”
Overall, I found this to be an immersive and thought-provoking story about friendship, courage, healing, empathy and acceptance, forgiveness and redemption, with characters who will stay with you long after you have turned the last page.
I paired my reading with the audiobook brilliantly narrated by Mozhan Navabi and Nikki Massoud.
“In my women’s organization and our activism, one thing that we're trying to uphold is that feminism comes in many shapes. We should not shame women who choose to take care of home and family. As long as it’s the woman’s choice. I don’t mean to imply that your job now, or even if you chose in the past or later choose to stay home, is in any way antifeminist. Because all of it has a place in true feminism. A woman has a right to live a life of intense career ambition or one of more mellow ambition or what have you. As I say, whatever she chooses.”
I couldn’t agree more. What could be more important to a woman than her right to choose?
“Shir zan. Lionesses. Us. Can’t you just see it, Ellie? Someday, you and me—we’ll do great things. We’ll live life for ourselves. And we will help others. We are cubs now, maybe. But we will grow to be lionesses. Strong women who make things happen.”
Written in beautiful prose, this evocative story spans the 1950s through the 70s and 80s to the present day and follows Elaheh “Ellie” Soltani and Homa Roozbeh – girls from completely different backgrounds who meet in Tehran as seven-year-olds who become fast friends but drift apart - a cycle that continues as their lives intersect time and time again and their fates intertwine against the volatile backdrop of the Iranian Revolution and the decades that follow. The author addresses several important themes, including social class, feminism, women’s rights and political activism, and the immigrant experience, while also giving us a glimpse into Iranian life and culture. The story is set in Tehran for most of the 50s and 60s and both the United States and Tehran for the remainder of the novel.
The narrative is presented predominantly from Ellie’s perspective, though we do get a few segments from Homa’s perspective. Both main characters are well fleshed out and their dynamic as it evolves over decades is realistically depicted, but I wish we could have explored a few of the crucial secondary characters in more depth. I also wish Homa’s perspective had been in more detail and that her story had been told with less telling and more showing particularly toward the end of the novel.
The themes in Marjan Kamali’s latest novel are realistic, relatable and most importantly, timely and relevant. The author’s portrayal of the changing socio-political landscape of Iran during the Iranian revolution and its aftermath with emphasis on women’s rights will inspire reflection. We can’t help but ponder over the fact that many of us have been afforded freedoms that others do not enjoy - freedoms that we often take for granted and rights that women all over the world have fought for in their own time and continue to do so today.
“That’s how losses of rights build. They start small. And then soon, the rights are stripped in droves.”
Overall, I found this to be an immersive and thought-provoking story about friendship, courage, healing, empathy and acceptance, forgiveness and redemption, with characters who will stay with you long after you have turned the last page.
I paired my reading with the audiobook brilliantly narrated by Mozhan Navabi and Nikki Massoud.
“In my women’s organization and our activism, one thing that we're trying to uphold is that feminism comes in many shapes. We should not shame women who choose to take care of home and family. As long as it’s the woman’s choice. I don’t mean to imply that your job now, or even if you chose in the past or later choose to stay home, is in any way antifeminist. Because all of it has a place in true feminism. A woman has a right to live a life of intense career ambition or one of more mellow ambition or what have you. As I say, whatever she chooses.”
I couldn’t agree more. What could be more important to a woman than her right to choose?
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